The correction desk: fix wardrobe, setting and light on frames that failed one line of the report. One change per job, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every scan produces a few near-passes: the pose lands, the light is right, and exactly one line of the report fails — the wardrobe is wrong for this pack, the background fights the set, the grade belongs to a different series. The editor is the correction desk for those frames. Describe the single change in plain language and the tool re-renders the frame with that change applied and the composition kept. Per-job pricing is printed before you confirm, and the original stays untouched in your account for comparison.
Correct the defect that was actually flagged. A frame with bad bones — wrong pose, wrong light at the source — costs more to correct than to regenerate.
One instruction per job keeps the rest of the frame stable and the result verifiable against the original.
Original and correction sit side by side in your account. Ship the one that passes; the other costs nothing more.
The same verified frame dressed for three different packs — the fastest catalogue multiplier there is.
Bedroom to hotel suite to studio backdrop, without moving the subject or the light that passed.
Daylight to evening, soft to dramatic — re-grade a frame so it files with the set it is joining.
“Change the black dress to a deep red silk dress, keep the pose, hair and lighting identical.”
Names the correction and explicitly protects everything that already passed. “Keep identical” clauses are cheap insurance.
“Move the scene to a marble hotel bathroom with warm mirror light, keep the subject and pose unchanged.”
One environment swap. Asking for a new setting, new outfit and new pose in one job is a regeneration, not a correction.
| Report finding | Better move |
|---|---|
| Pose and light pass, details fail | Correct — cheaper, and keeps the frame’s verified bones |
| The composition itself misses | Regenerate with an adjusted protocol |
| One passed frame needed in three outfits | Correct three times from the keeper |
21 credits per job, printed before you confirm. Correcting a near-pass is normally cheaper than regenerating and re-scanning a whole set.
No. A correction produces a new frame; the original stays in your account untouched, so the re-scan is always a fair comparison.
Brief one correction per job. Stacked changes destabilise the parts that already passed inspection.
Yes — your own photos follow the same admission rules as every upload on the bench.
Narrow the instruction and name what must stay identical. Vague briefs are the main cause of drifting corrections.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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